368 Free Photos of Ink Color

cc-zerofiles uploaded by daderotcc-pd-markauthor died more than 100 years ago public domain imagespaintingdecorationartistabstractliquidcreative
Clearing Out the Mountain, Demons Fighting with Animals in the Forest, detail 2, China, Ming dynasty, c. 1500, ink and color on paper - Berkeley Art Museum and Pacific Film Archive - DSC04201
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Clearing Out the Mountain, Demons Fighting with Animals in the Forest, detail 1, China, Ming dynasty, c. 1500, ink and color on paper - Berkeley Art Museum and Pacific Film Archive - DSC04199
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Clearing Out the Mountain, Demons Fighting with Animals in the Forest, detail 3, China, Ming dynasty, c. 1500, ink and color on paper - Berkeley Art Museum and Pacific Film Archive - DSC04202
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Figures Looking at a Painting by Li Shizhuo (died 1770), China, Qing dynasty, 18th century, ink and colors on paper - Berkeley Art Museum and Pacific Film Archive - DSC04233
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Face hair portrait
masksbody
Feathering flight fluffy
ornamentbird
Artwork grunge creative
patternsartist
Darkness gray black
watersea
Daoist Immortals by Ki Baitei (1734-1810), view 2 of 2, Japan, Tokugawa period, late 18th century AD, pair of six-fold screens, ink, colors on gold paper - Ethnological Museum, Berlin - DSC02074
art of japan in the ethnological museum, berlinself-published work
Map of the Grand Canal, 3 of 4, China, Qing dynasty, early 1700s, handscroll, ink and color on silk - Freer Gallery of Art - DSC05018
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Seven Forms of Kannon, Japan, Kamakura period, c. 1300 AD, handscroll with ink and color on paper - Sackler Museum - Harvard University - DSC01950
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Empress Xiaomu by court painters, Beijing, China, Daoguang period, 1850 AD, ink and color on silk - Peabody Essex Museum - DSC07895
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Map of the Grand Canal, 1 of 4, China, Qing dynasty, early 1700s, handscroll, ink and color on silk - Freer Gallery of Art - DSC05016
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Preparations blue industry
technologyscience
Daoist Immortals by Ki Baitei (1734-1810), view 1 of 2, Japan, Tokugawa period, late 18th century AD, pair of six-fold screens, ink, colors on gold paper - Ethnological Museum, Berlin - DSC02075
orangeindoor
Map of the Grand Canal, 2 of 4, China, Qing dynasty, early 1700s, handscroll, ink and color on silk - Freer Gallery of Art - DSC05017
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Map of the Grand Canal, 4 of 4, China, Qing dynasty, early 1700s, handscroll, ink and color on silk - Freer Gallery of Art - DSC05019
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Design texture wall
stickerssymbol
Turtle and Bamboo, by Nagasawa Rosetsu, Japan, Edo period, 1787-1799 AD, folding fan with ink and light color on paper - Sackler Museum - Harvard University - DSC01938
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Paint texture vintage
patternssymbol
Blue resin fluid
sculpturespring
Folio from an album, Mir Ali Shir Nawa I, calligrapher, Afghanistan, Herat, late 15th century AD, Chagatai Turkish text in Nastaliq script, ink, gold, color on paper, decoupage - Cincinnati Art Museum - DSC04236
self-published workali-shir nava'i
Illuminated panel of verse from Rubaiyat of Hafiz, Mir Ali al-Heravi, calligrapher, Iran, Safavid period, 16th century, Persian text in Nastaliq script, ink, gold, color on paper - Cincinnati Art Museum - DSC04240
persian calligraphyself-published work
Noblewoman's palanquin, view 1, Japan, Edo period, mid 1800s AD, wood with black lacquer and gilding, paintings with ink, color,and gold on paper - Peabody Essex Museum - DSC07395
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Female Taoist Immortal, by Ryoyu, Japan, Muromachi period, 1500s AD, ink and light color on paper - Tokyo National Museum - Tokyo, Japan - DSC09345
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Noblewoman's palanquin, view 2, Japan, Edo period, mid 1800s AD, wood with black lacquer and gilding, paintings with ink, color,and gold on paper - Peabody Essex Museum - DSC07399
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Bodhisattva Manjusri (Monju Bosatsu), Japan, Nambokucho period, 1333-1392 AD, ink, opaque color, applied cut gold (kirikane) - Dallas Museum of Art - DSC05105
self-published workmonju
Thistle, Frog, Snail, Butterfly, and Dragonfly, attributed to Sin Saimdang, Korea, Choson, dynasty, early 1600s AD, album leaf, ink and colors on silk - Sackler Museum - Harvard University - DSC01675
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The Maharajah of Kota, Members of Court, and the Englishman James Tod, India, Rajput style, Kota school, early 1800s, ink and color on paper - Sackler Museum - Harvard University - DSC01686
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Brown resin fluid
landscapewater
Thirteen Buddhist Deities, Japan, Nambokucho-Muromachi period, c. 1336-1568, ink, color, gold on silk - Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon - DSC09367
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Grand Imperial Wedding of the Guangxu Emperor, vol. 7, leaf 5, Empress Xiaoding entering the palace in phoenix palanquin, by Qing Kuan, c. 1889, ink and color on silk - Peabody Essex Museum - DSC07870
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Grand Imperial Wedding of the Guangxu Emperor, vol. 4, leaf 2, Empress Xiaoding's dowry carried into the East Gate of Glory, by Qing Kuan, c. 1889, ink and color on silk - Peabody Essex Museum - DSC07873
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Illuminated manuscript of Jataka Tales and the Story of Phra Malai's Visit to Heaven and Hell, Thailand, Bangkok style, 1813, ink, color and gold on paper, HAA
self-published workkhom thai script
Kobo Daishi in China, artist unknown, Japan, Kamakura period, late 1200s AD, scroll 2 of a pair, ink, color, gold, silver, paper - Freer Gallery of Art - DSC04790
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Qur'an binding, calligraphy by Ahmad al-Neyrizi, Iran, 1717-1718 AD, ink, color, and gold on paper - Aga Khan Museum - Toronto, Canada - DSC06800
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Zhou Maoshu admiring lotuses, by Ogata Korin (1658-1716), Japan, Edo period, approx. 1704-1716 AD, hanging scroll, ink and light colors on paper - Asian Art Museum of San Francisco - DSC01506
art of the edo periodself-published work
Alms-bowl Pond in the Diamond Mountains, by Kim Hong-do, Korea, Joseon dynasty, c. 1788 AD, album leaf, ink and light color on silk - Sackler Museum - Harvard University - DSC01672
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Grand Imperial Wedding of the Guangxu Emperor, vol. 7, leaf 9, Empress Xiaoding entering the palace in phoenix palanquin, by Qing Kuan, c. 1889, ink and color on silk - Peabody Essex Museum - DSC07865
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Grand Imperial Wedding of the Guangxu Emperor, vol. 7, leaf 5 detail, Empress Xiaoding entering the palace in phoenix palanquin, by Qing Kuan, c. 1889, ink and color on silk - Peabody Essex Museum - DSC07871
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Grand Imperial Wedding of the Guangxu Emperor, vol. 7, leaf 8, Empress Xiaoding entering the palace in phoenix palanquin, by Qing Kuan, c. 1889, ink and color on silk - Peabody Essex Museum - DSC07863
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Grand Imperial Wedding of the Guangxu Emperor, vol. 1, leaf 2, The future Empress Xiaoding exiting the Gate of Divine Prowess, by Qing Kuan, c. 1889, ink and color on silk - Peabody Essex Museum - DSC07875
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Scholar Gazing at the Moon, Japan, Edo period, 1600s, ink and color on silk - Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon - DSC09345
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Tale of the Chrysanthemum Spirit, 2 of 2, attributed to Tosa Yukihide, Japan, Muromachi period, 16th century AD, ink, color, gold on paper - Arthur M. Sackler Museum, Harvard University - DSC01140
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Folio from a Haft Awrang (Seven Thrones) by Jami, calligraphy by Muhhib Ali, Iran, Safavid period, c. 1557 AD, ink, color, gold, paper - Freer Gallery of Art - DSC04689
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Tale of the Chrysanthemum Spirit, 1 of 2, attributed to Tosa Yukihide, Japan, Muromachi period, 16th century AD, ink, color, gold on paper - Arthur M. Sackler Museum, Harvard University - DSC01138
self-published workindoor
Folding fan with daylilies, rocks, and a poem, painted by the Qianlong emperor for Empress Dowager Chongqing, China, 1762 AD, ink and color on paper, bamboo - Peabody Essex Museum - DSC07993
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Empress Xiaoxian, by Ignatius Sichelbart, Yi Lantei, and possibly Wang Ruxue, China, Qianlong period, 1777 AD, possibly repainted in the 1800s AD, ink and color on silk - Peabody Essex Museum - DSC07976
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Empress Dowager Chongqing at the Age of Sixty, probably by Giuseppe Castiglione and court painters in Beijing, China, Qianlong period, c. 1751 AD, ink and color on silk - Peabody Essex Museum - DSC07995
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Blue resin fluid
watersea
Attendant Bodhisattvas, China, Later Zhou to Northern Song dynasty, mid 900s AD, believed from Cisheng Temple, Wenxian, Henan, ink and colors on plaster - Princeton University Art Museum - DSC07100
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Spring Shoots I, from Vol. 4 of an abridged manuscript of the Tale of Genji, Tosa School, 1688-1704, ink, color, gold, paper - Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon - DSC09340
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Folios 77b-78a, Haft Manzar (Seven Visages) by Hatifi, copied by Mir Ali Haravi, Bukhara, Shaybanid period, 1538 AD, ink, color, gold, paper - Freer Gallery of Art - DSC04718
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Blue yellow resin
watermaps
Design grunge texture
backgroundwater
Angel Israfil, from Aja'ib al-makhluqat wa ghara'ib al-mawjudat (The Wonders of Creations and Oddities of Existence) by al-Qazvini, Iraq or Turkey, early 1400s, ink, color - Freer Gallery of Art - DSC04720
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The Former Deeds of Bodhisattva Medicine King, Chapter 23 of the Lotus Sutra, Japan, Heian period, c. 1150 AD, ink, color, silver, gold, dyed paper - Arthur M. Sackler Museum, Harvard University - DSC01154
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Female samurai Tomoe Gozen in Mortal Combat with Onda no Hachiro Moroshige, Japan, Edo period, 1600s, ink, color, gold, paper- Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon - DSC09363
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The Path through Mount Utsu, by Fukae Roshu (1699-1757), Japan, Edo period, two-panel folding screen, ink, colors, and gold on paper - Asian Art Museum of San Francisco - DSC01474
self-published workindoor
Happy confident australian
naturemother
362 | Betsy LeBleu Curry | Music Undertones | Monotype with Colored Pencils and Ink | 24x30
apple ink watercolor1
plantsflower
Acrylic color dissolving in water
backgroundwater
abstract formed by color dissolving in water
backgroundbusiness
abstract formed by color dissolving in water
backgroundbusiness
1959
backgroundbusiness
Acrylic color dissolving in water
backgroundwater
Remains of ink to peel
travelnature
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